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DTSTART;TZID=America/Denver:20180301T170000
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DTSTAMP:20180222T232948Z
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UID:4164-1519923600-1519934400@poehcenter.org
SUMMARY:Spring Exhibit 2018
DESCRIPTION:Claver Garcia & David Naranjo\nWe welcome you to join us for the Opening Reception with our featured artists David Naranjo (Santa Clara Pueblo) and Claver Garcia (Ohkay Owingeh) \nReception begins at 5pm and will include Fashion Showcase by David Naranjo. A lecture on the Pueblo Revolt of 1680 will follow by Institute of American Indian Arts Faculty Porter Swentzell (Santa Clara Pueblo) at 6pm. \nFor more info please call (505) 455-5041 \nRemember the Revolt to Create a Revolution  \nCuratorial Statement \nRevolution is as much action as it is prophesy\, and those motivated to act often do so with the hope of producing enduring positive change. While remembrances of revolution\, such as the 1680 Pueblo Revolt are important as centennial commemorations\, the works of Claver Garcia (OK) and David Naranjo (Santa Clara) reveal through different media and process\, the spirit of revolution made personal in every day life. \nClaver’s paintings remind us of the importance of retelling the story of the Revolt any time of year. Whether it be the faceless runners in Po Pay Day\, into which any face can be superimposed\, to the rear of Tesuque Runners Warn Their Village\, the urgency of memory is apparent. His paintings\, as well as the chromatic patterns rendered on magnets\, remind us of the challenges contemporary Pueblo people face to retain identity in the midst of drastic cultural adaptation and change. The urgency of memory cannot be diminished\, even in the ashes of razed villages and churches\, so that people can continue to ask themselves\, “What have we learned from this trauma\, and how can we grow as we look to the future?” \nDavid’s work stands at the fore of that future\, as he utilizes contemporary digital technologies to render traditional Tewa designs in new media. His work shows us how “traditional” media changes as new materials are made available to each generation. They are interpretations of patterns that have been created and rendered with digital plotters and printers that have revolutionized the creative process and products of culture-based thought. His work stands like a young moccasin-clad man straddling the divide between analog and digital. We must remember that tradition is as much\, and maybe even moreso a behavior as it is media\, and that the tradition expressed in David’s work is that of adornment. \nStephen Fadden\, 2018 \n  \nDavid Naranjo \nDavid Naranjo is from the pueblos of Santa Clara\, San Juan\, Cochiti\, and resides in Santa Fe\, NM. He is working toward a Bachelor’s in Fine Arts at the Institute of American Indian Arts. Recently\, Naranjo is working in multiple mediums to depict cultural symbolism through stylized Puebloan pottery designs and fine geometrical linear work. Currently\, His work merges contemporary Puebloan traditions with non-traditional materials and elements to create meaning and purpose in each composition. \nMy inspiration for my work comes from the beauty I experience from my community of Kha’Po Ohwingeh. My work integrates modern forms and concepts combined with traditional Puebloan aesthetics to create contemporary Puebloan art. I want to depict\, reimagine\, and re-contextualize such designs and iconography and apply them in a different format while being respectful and keeping the designs integrity intact. Puebloan pottery designs and geometrical linear work serve a purpose and have meaning within a cultural context which are inclusive of the natural world\, change of seasons\,  and emotional cognitive meaning. \nI find our way of life to be a form of poetry and seek to show understanding and respect while making my art as a form of prayer. In my work\, I try to apply that same level of intimacy\, understanding\, and respect in order to create the beauty that exudes from my community of Santa Clara Pueblo. I am using and incorporating traditional forms and techniques and various forms of technology as a way to create\, adapt\, and preserve our cultural traditions. Although my work isn’t traditional art\, they serve as examples to the ever changing\, adaptation of modern culture and indigenous Puebloan traditions. \nClaver Garcia \n\nClaver Garcia was born in Santa Fe\, New Mexico in 1992 and raised between Ohkay Owingeh and Tesuque Pueblo. His father the late Gordon Garcia and mother Angela Vigil helped support and inspire Garcia to pursue his Artistic career. Claver Garcia is the second oldest of four children and the only male. Art influences include 90s cartoons/animations\, traditional/contemporary Native American paintings and designs.  He currently resides in Santa Fe\, New Mexico where he is attending the Institute of American Indian Arts.  Working on a BFA in Studio Arts with a minor in creative writing\, Garcia focuses on painting\, ceramic and sculpting.
URL:https://poehcenter.org/event/spring-exhibit-2018/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
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DTSTART;TZID=America/Denver:20180301T180000
DTEND;TZID=America/Denver:20180301T190000
DTSTAMP:20180217T012431Z
CREATED:20180216T234355Z
LAST-MODIFIED:20180217T012431Z
UID:4173-1519927200-1519930800@poehcenter.org
SUMMARY:The Pueblo Revolt of 1680: Causes\, Revolts & Aftermath
DESCRIPTION:Porter Swentzell will conduct a presentation on the Pueblo Revolt of 1680 here at the Poeh Cultural Center. Event is free of charge and open to the public. \nThe lecture will follow the 2018 Spring Exhibit Opening and Fashion Showcase with featured artists Claver Garcia  of Ohkay Owingeh and David Naranjo of Santa Clara Pueblo. \nPorter Swentzell is from Santa Clara Pueblo\, where he grew up participating in traditional life in his community and developed an interest in language and cultural preservation. He is an Assistant Professor of Indigenous Liberal Studies at the Institute of American Indian Arts in Santa Fe. Porter holds a Master of Arts in Interdisciplinary Studies with Concentrations in History and Political Science from Western New Mexico University in Silver City and a BA in Integrated Studies with an Emphasis in Pueblo Indian Studies from Northern New Mexico College in Española. He is currently a PhD student at Arizona State University in the School of Social Transformation. Porter lives at Santa Clara Pueblo with his partner and three children.
URL:https://poehcenter.org/event/porter-swentzell-lecture-pueblo-revolt/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
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DTSTART;TZID=America/Denver:20180331T100000
DTEND;TZID=America/Denver:20180331T120000
DTSTAMP:20180327T160709Z
CREATED:20180327T160709Z
LAST-MODIFIED:20180327T160709Z
UID:4331-1522490400-1522497600@poehcenter.org
SUMMARY:Family Easter Day
DESCRIPTION:Welcome all! Meet the Easter Bunny!!!! Enjoy music\, games\, and activities. Free Admission!\nEgg toss @ 10:00\nEgg race @ 10:30\nMeet the Easter Bunny @ 11:00\nEgg hunt @ 11:30
URL:https://poehcenter.org/event/family-easter-day/
LOCATION:NM
CATEGORIES:Poeh Event
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