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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180331T100000
DTEND;TZID=America/Denver:20180331T120000
DTSTAMP:20260410T135713
CREATED:20180327T160709Z
LAST-MODIFIED:20180327T160709Z
UID:4331-1522490400-1522497600@poehcenter.org
SUMMARY:Family Easter Day
DESCRIPTION:Welcome all! Meet the Easter Bunny!!!! Enjoy music\, games\, and activities. Free Admission!\nEgg toss @ 10:00\nEgg race @ 10:30\nMeet the Easter Bunny @ 11:00\nEgg hunt @ 11:30
URL:https://poehcenter.org/event/family-easter-day/
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2018/03/29513047_1809950769056928_3911193719553521516_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180301T180000
DTEND;TZID=America/Denver:20180301T190000
DTSTAMP:20260410T135713
CREATED:20180216T234355Z
LAST-MODIFIED:20180217T012431Z
UID:4173-1519927200-1519930800@poehcenter.org
SUMMARY:The Pueblo Revolt of 1680: Causes\, Revolts & Aftermath
DESCRIPTION:Porter Swentzell will conduct a presentation on the Pueblo Revolt of 1680 here at the Poeh Cultural Center. Event is free of charge and open to the public. \nThe lecture will follow the 2018 Spring Exhibit Opening and Fashion Showcase with featured artists Claver Garcia  of Ohkay Owingeh and David Naranjo of Santa Clara Pueblo. \nPorter Swentzell is from Santa Clara Pueblo\, where he grew up participating in traditional life in his community and developed an interest in language and cultural preservation. He is an Assistant Professor of Indigenous Liberal Studies at the Institute of American Indian Arts in Santa Fe. Porter holds a Master of Arts in Interdisciplinary Studies with Concentrations in History and Political Science from Western New Mexico University in Silver City and a BA in Integrated Studies with an Emphasis in Pueblo Indian Studies from Northern New Mexico College in Española. He is currently a PhD student at Arizona State University in the School of Social Transformation. Porter lives at Santa Clara Pueblo with his partner and three children.
URL:https://poehcenter.org/event/porter-swentzell-lecture-pueblo-revolt/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2018/02/PS-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180301T170000
DTEND;TZID=America/Denver:20180301T200000
DTSTAMP:20260410T135713
CREATED:20180216T185617Z
LAST-MODIFIED:20180222T232948Z
UID:4164-1519923600-1519934400@poehcenter.org
SUMMARY:Spring Exhibit 2018
DESCRIPTION:Claver Garcia & David Naranjo\nWe welcome you to join us for the Opening Reception with our featured artists David Naranjo (Santa Clara Pueblo) and Claver Garcia (Ohkay Owingeh) \nReception begins at 5pm and will include Fashion Showcase by David Naranjo. A lecture on the Pueblo Revolt of 1680 will follow by Institute of American Indian Arts Faculty Porter Swentzell (Santa Clara Pueblo) at 6pm. \nFor more info please call (505) 455-5041 \nRemember the Revolt to Create a Revolution  \nCuratorial Statement \nRevolution is as much action as it is prophesy\, and those motivated to act often do so with the hope of producing enduring positive change. While remembrances of revolution\, such as the 1680 Pueblo Revolt are important as centennial commemorations\, the works of Claver Garcia (OK) and David Naranjo (Santa Clara) reveal through different media and process\, the spirit of revolution made personal in every day life. \nClaver’s paintings remind us of the importance of retelling the story of the Revolt any time of year. Whether it be the faceless runners in Po Pay Day\, into which any face can be superimposed\, to the rear of Tesuque Runners Warn Their Village\, the urgency of memory is apparent. His paintings\, as well as the chromatic patterns rendered on magnets\, remind us of the challenges contemporary Pueblo people face to retain identity in the midst of drastic cultural adaptation and change. The urgency of memory cannot be diminished\, even in the ashes of razed villages and churches\, so that people can continue to ask themselves\, “What have we learned from this trauma\, and how can we grow as we look to the future?” \nDavid’s work stands at the fore of that future\, as he utilizes contemporary digital technologies to render traditional Tewa designs in new media. His work shows us how “traditional” media changes as new materials are made available to each generation. They are interpretations of patterns that have been created and rendered with digital plotters and printers that have revolutionized the creative process and products of culture-based thought. His work stands like a young moccasin-clad man straddling the divide between analog and digital. We must remember that tradition is as much\, and maybe even moreso a behavior as it is media\, and that the tradition expressed in David’s work is that of adornment. \nStephen Fadden\, 2018 \n  \nDavid Naranjo \nDavid Naranjo is from the pueblos of Santa Clara\, San Juan\, Cochiti\, and resides in Santa Fe\, NM. He is working toward a Bachelor’s in Fine Arts at the Institute of American Indian Arts. Recently\, Naranjo is working in multiple mediums to depict cultural symbolism through stylized Puebloan pottery designs and fine geometrical linear work. Currently\, His work merges contemporary Puebloan traditions with non-traditional materials and elements to create meaning and purpose in each composition. \nMy inspiration for my work comes from the beauty I experience from my community of Kha’Po Ohwingeh. My work integrates modern forms and concepts combined with traditional Puebloan aesthetics to create contemporary Puebloan art. I want to depict\, reimagine\, and re-contextualize such designs and iconography and apply them in a different format while being respectful and keeping the designs integrity intact. Puebloan pottery designs and geometrical linear work serve a purpose and have meaning within a cultural context which are inclusive of the natural world\, change of seasons\,  and emotional cognitive meaning. \nI find our way of life to be a form of poetry and seek to show understanding and respect while making my art as a form of prayer. In my work\, I try to apply that same level of intimacy\, understanding\, and respect in order to create the beauty that exudes from my community of Santa Clara Pueblo. I am using and incorporating traditional forms and techniques and various forms of technology as a way to create\, adapt\, and preserve our cultural traditions. Although my work isn’t traditional art\, they serve as examples to the ever changing\, adaptation of modern culture and indigenous Puebloan traditions. \nClaver Garcia \n\nClaver Garcia was born in Santa Fe\, New Mexico in 1992 and raised between Ohkay Owingeh and Tesuque Pueblo. His father the late Gordon Garcia and mother Angela Vigil helped support and inspire Garcia to pursue his Artistic career. Claver Garcia is the second oldest of four children and the only male. Art influences include 90s cartoons/animations\, traditional/contemporary Native American paintings and designs.  He currently resides in Santa Fe\, New Mexico where he is attending the Institute of American Indian Arts.  Working on a BFA in Studio Arts with a minor in creative writing\, Garcia focuses on painting\, ceramic and sculpting.
URL:https://poehcenter.org/event/spring-exhibit-2018/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2018/02/POE-FB-event-copy2-e1523741132780.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180111T160000
DTEND;TZID=America/Denver:20180111T190000
DTSTAMP:20260410T135713
CREATED:20180111T010511Z
LAST-MODIFIED:20180111T010511Z
UID:4052-1515686400-1515697200@poehcenter.org
SUMMARY:Betty Padilla Artisit Demonstration
DESCRIPTION:Betty J. Padilla (Diné/Navajo) from Ganado\, Arizona is a contemporary Native American jeweler. She resides in Santa Clara Pueblo with her husband and children. She has always wanted to make jewelry and was greatly inspired by her Godmother\, Lucy “Year Flower” Tafoya.\nShe enrolled in her first jewelry making class at the Poeh Arts Program\, her instructor was the renowned\, Fritz Casuse. She has learned many techniques of making jewelry with the guidance and patience of Fritz Casuse. \nShe has had the opportunity to participate in several art shows throughout her “learning process.” She has participated in Native Treasures\, SWAIA Indian Market\, IFAM\, and the Heard Museum Guild Art Show. \nRight now she plans to continue “learning” (a continuous process) and create the jewelry she loves.
URL:https://poehcenter.org/event/betty-padilla-artisit-demonstration/
LOCATION:Buffalo Thunder Resort\, 30 Buffalo Thunder Trail\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2018/01/26219463_1732063623512310_3204183556847705772_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171118
DTEND;VALUE=DATE:20171120
DTSTAMP:20260410T135713
CREATED:20171018T034547Z
LAST-MODIFIED:20171018T035111Z
UID:3946-1510963200-1511135999@poehcenter.org
SUMMARY:Poeh Winter Arts Market
DESCRIPTION:You are invited to the Poeh Cultural Center’s Winter Arts Market. Spend the day talking to artists and shopping for original jewelry\, pottery\, textiles and other arts by Native artists from across the Southwest. Located at the Buffalo Thunder Resort in the Hilton Hotel lobby and adjacent spaces.
URL:https://poehcenter.org/event/poeh-winter-arts-market/
LOCATION:Buffalo Thunder Resort\, 30 Buffalo Thunder Trail\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2017/10/Poeh-Winter-Arts-Market-17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170818T150000
DTEND;TZID=America/Denver:20170818T190000
DTSTAMP:20260410T135713
CREATED:20170727T221534Z
LAST-MODIFIED:20170727T221534Z
UID:3676-1503068400-1503082800@poehcenter.org
SUMMARY:Youth Art Workshops
DESCRIPTION:Poeh will be having youth art workshops during the week of Indian Market week. \n3:00pm – Arrow Making\n4:00pm – Rattle Making\n5:00pm – Stencil Art\n6:00pm – Painting
URL:https://poehcenter.org/event/youth-art-workshops/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Indian Market 2017,Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2017/07/19574947_1345538272190696_2448704733191174182_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170817T180000
DTEND;TZID=America/Denver:20170817T220000
DTSTAMP:20260410T135713
CREATED:20170321T220305Z
LAST-MODIFIED:20170726T230234Z
UID:3030-1502992800-1503007200@poehcenter.org
SUMMARY:Opening Reception: Douglas Miles & Jason Garcia
DESCRIPTION:Join us for a week of artist panels\, exhibitions\, workshops\, traditional dances and live performances to celebrate the opening of our two newest exhibits\, “Residency” by Douglas Miles (San Carlos Apache) and “TEWA TALES OF SUSPENSE!” by Jason Garcia (Santa Clara Pueblo). The opening reception takes place on Thursday\, August 17 at 6pm and goes until 10pm with a live band and DJ. \n6:00pm – Museum Doors Open\n7:00pm – Pueblo Dancers\n7:30pm – Apache Dancers\n8:00pm – Desert Loops Band\n9:00pm – DJ Vanessa Bowen
URL:https://poehcenter.org/event/coming-august-2017/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Indian Market 2017,Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2017/03/20258043_1567616633290344_3040802752076471126_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170816T150000
DTEND;TZID=America/Denver:20170816T170000
DTSTAMP:20260410T135713
CREATED:20170726T194003Z
LAST-MODIFIED:20170726T230419Z
UID:3627-1502895600-1502902800@poehcenter.org
SUMMARY:Jason Garcia Exhibit Preview & Artist Panel
DESCRIPTION:The Poeh Cultural Center will feature the Jason Garcia and his series entitled “TEWA TALES OF SUSPENSE!” \n2:00pm – Doors Open\n3:00pm – Artist Panel w/ Jason Garcia\, Tony Chavarria & Joseph Aguilar \n“Tewa Tales of Suspense!” is a series of serigraph prints that illustrate the Pueblo Revolt of 1680. In the late 17th-century\, Spain’s empire in the Americas extended north to New Mexico\, Texas\, Arizona\, and California\, where Spanish soldiers\, settlers\, and missionaries began to settle. The missionaries resettled the indigenous Pueblo people into peasant communities\, building forts and missions to subdue and convert them to Catholicism. The Tewa people of Northern New Mexico\, along with other Pueblo communities resisted Spanish conversion efforts and forced labor demands. Their sporadic resistance became a concerted rebellion in 1680 under the leadership of Po’Pay\, a Tewa leader from O’ke Owingeh. The revolt was the most successful of Native American efforts to turn back European colonists\, and for over a decade the Pueblos were free from intrusion. \n  \n\nAbout the Artist \nJason Garcia (Okuu Pin) does what great artists have been doing since the beginning of time: he carefully examines and interprets life around him and then shares those uniquely personal observations with the rest of the world. In his finished work—most often clay tiles that are created in the traditional Pueblo way with hand-gathered clay\, native clay slips and outdoor firings — he transforms materials closely connected to the earth into a visually rich mix of Pueblo history and culture\, comic book super heroes\, video game characters\, religious icons and all things pop culture. \nThe son of well-known Santa Clara Pueblo potters John and Gloria Garcia (known as Golden Rod)\, and the great grandson of the equally revered Santa Clara potter Severa Tafoya\, Garcia notes he has been an artist all his life. He says\, “I really don’t know much else…” However\, in 2002\, when he created his first “graphic tile\,” he secured this calling while simultaneously expanding the norms of contemporary Pueblo pottery. His creative experimentation seamlessly blended ancient Pueblo designs\, stories and scenery with images taken from Western popular culture. In his seminal piece “Grand Theft Auto – Santa Clara Pueblo\,” for instance\, Garcia replaced the illustrations from the cover of the video game Grand Theft Auto with scenes from Pueblo life\, deftly joining worlds that may\, to outsiders\, seem unrelated. \nSince that time\, he has participated in several significant exhibitions including Comic Art Indigene at both the Museum of Indian Arts and Culture in Santa Fe\, New Mexico and the Smithsonian National Museum of the American Indian in Washington\, DC and Native Pop! at the New Mexico Museum of Art in Santa Fe\, New Mexico. Garcia has also received numerous awards and honors including a Ronald N. and Susan Dubin Fellowship at the School for Advanced Research\, and both the coveted Best of Classification and Artist’s Choice awards at the world-famous Santa Fe Indian Market. Important museums have purchased his work for their collections\, as well\, including the Heard Museum in Phoenix\, Arizona\, and the Smithsonian National Museum of the American Indian in Washington\, DC. \nWith a number of artistic accolades already under his belt\, Garcia shows no signs of slowing down. His work continues to evolve with opportunities to experiment in other mediums (like printmaking via the Map(ping) Project at Arizona State University) and with series such as “Tewa Tales of Suspense\,” where Garcia documents important Pueblo events in a narrative\, comic book style on clay tiles (a nod to both his fondness for “Love and Rockets” by Los Bros. Hernandez\, as well as Santa Clara Pueblo artists such as Pablita Velarde and Lois Gutierrez de la Cruz). \n\nPanelists \nTony Chavarria is the Curator of Ethnology at the Museum of Indian Arts & Culture. He was the first Branigar intern at the School for Advanced Research in Santa Fe and  has served as secretary and board member for the Council for Museum Anthropology in the past. He contributed to the publications A River Apart: The Pottery of Cochiti and Santo Domingo Pueblos\, Painting a Native World: Life\, Land and Animals\, and Here\, Now and Always: Voices of the Native Southwest. Among the exhibitions he has curated are the traveling exhibition Comic Art Indigene and Heartbeat: Music of the Native Southwest. He also served as a community liaison and curator for the inaugural Pueblo exhibition at the National Museum of the American Indian in Washington\, DC. \n\nJoseph Aguilar is an enrolled member of San Ildefonso Pueblo\, and is a Ph.D. candidate in the Department of Anthropology at the University of Pennsylvania. His primary research focuses on the archaeology of the North American Southwest\, with a specific interest in Spanish-Pueblo relations during the late 17th century. His general research interests include Indigenous Archaeology\, landscape archaeology\, and tribal historic preservation. A collaborative research project with San Ildefonso\, his dissertation research examines Tewa resistance to the Spanish Reconquest efforts in the latter part of the Pueblo Revolt Era (1680-1696) as evident in the archaeological\, historical and\, oral records. \n  \n  \n 
URL:https://poehcenter.org/event/jason-garcia-exhibit-preview-artist-panel/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Indian Market 2017,Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2017/07/JGarciaPortrait_DM2016-e1501098714363.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170815T150000
DTEND;TZID=America/Denver:20170815T170000
DTSTAMP:20260410T135713
CREATED:20170726T193616Z
LAST-MODIFIED:20170726T230451Z
UID:3622-1502809200-1502816400@poehcenter.org
SUMMARY:Douglas Miles Exhibit Preview & Artist Panel
DESCRIPTION:Exhibit preview of Douglas Miles’ exhibition “Residency” at the Poeh Cultural Center. \n2:00pm – Doors Open\n3:00pm – Artist Panel w/ Douglas Miles\, Cannupa Hanska & Joseph Sanchez \nIn “Residency” Douglas Miles will show all new work created during his recent stay in San Francisco\, California. The deYoung Museum Global Fellow residency allowed him time and space to create new large scale multi-media works. His constant work in the city resulted in creating four new murals\, curate a group art show\, three short films and designed four new Apache Skateboards. His new work was inspired by the streets of San Francisco as well as informed by the creative historical communities such as the Mission District and the Tenderloin. \n\nAbout the Artist \nArtist and founder of Apache Skateboards Douglas Miles is San Carlos Apache\, Akimel O’Odham\, and White Mountain Apache from the San Carlos Apache reservation. \nAs an indigenous visionary\, Douglas Miles is one of those rare and important figures who continues to reside one step ahead of the main stream Native American art world. Miles tells his experiences through an array of mediums including graphic design\, photography\, spray paint\, stencil\, fashion\, found objects\, community organization and whatever else he can use to speak truth about his experience. \nThe imagery of Douglas Miles invites the viewer into an iconic conversation of progression regarding indigenous existence. Miles creates a new set of rules and then breaks them down\, never compromising for the status quo\, and always inviting a necessary representation to the current understanding of what it means to be Native American. His career is a poem written to all who have come before him and to all who will come after. \n\nPanelists \nBorn in North Dakota on the Standing Rock Reservation\, artist Cannupa Hanska Luger comes from Mandan\, Hidatsa\, Arikara\, Lakota\, Austrian\, and Norwegian descent. Luger’s unique\, ceramic­-centric\, but ultimately multidisciplinary work tells provocative stories of complex Indigenous identities coming up against 21st Century imperatives\, mediation\, and destructivity. Luger creates socially conscious work that hybridizes his identity as an American Indian in tandem with global issues. Using his art as a catalyst\, he invites the public to challenge expectations and misinterpretations imposed upon Indigenous peoples by historical and contemporary colonial social structures. \nCannupa Hanska Luger is the recipient of the Native Arts & Cultures Foundation National Artist Fellowship Award among other notable acclaims and has participated in artist residencies and lectures throughout the Nation. Luger currently holds a studio practice in New Mexico\, maintaining a clear trajectory of gallery and museum exhibitions worldwide. \nCannupa Hanska Luger’s work has been noted as “a modern look at ideas of colonization\, adaptability and survival as major components to the development of culture” by Western Art Collector Magazine and The Native Arts and Cultures Foundation noted that “Luger could well rise to be one of those artists whose caliber is unmatched and whose work will be studied by students to come\, thus furthering the path for many more contemporary Native artists.” \nCannupa Hanska Luger graduated with honors from The Institute of American Indian Arts in 2011 with a BFA focusing in studio ceramics. He has been exhibited at Radiator Gallery New York NY;  L.A. Art Show Los Angeles CA; La Bienalle di Venezia Verona\, Italy; Art Mur Montreal\, Quebec; Museum of Northern Arizona Flagstaff AZ; Rochester Art Center Rochester MN; Navy Pier Chicago\, IL; University of Alaska Fairbanks\, AK; National Center for Civil and Human Rights Atlanta GA; Blue Rain Gallery Santa Fe\, NM\, among others. Luger is also in the permanent collections of The North America Native Museum Zürich\, Switzerland; The Denver Art Museum Denver\, CO; The Museum of Contemporary Native Arts Santa Fe\, NM; and The Fred Jones Jr. Museum of Art Norman\, OK. \n\nJoseph M. Sánchez is an American artist from Trinidad\, Colorado\, by way of the White Mountain Apache Reservation and Taos Pueblo. A leader in Indigenous and Chicano arts since the 1970s\, Joseph has worked with hundreds of artists creating work\, developing exhibitions\, and advocating for the rights of minority artists\, most importantly with the Professional Native Indian Artists (Native Group of Seven). A spiritual surrealist\, Joseph’s work is sensual and dreamlike\, provocative and thought-inducing. Still producing work\, and exhibiting across the United States and Canada\, Joseph M Sánchez is simultaneously a community elder\, and an instigator at the front lines of the battle for the creation of art and how we define it as a culture. \nBorn in Trinidad\, Colorado to Pueblo\, Spanish\, and German parents\, Joseph Marcus Sánchez was raised in Whiteriver\, Arizona on the White Mountain Apache Reservation. In 1966\, he graduated from Alchesay High School in Whiteriver\, with the intent to join the priesthood. This was not the right fit\, and he returned home to the White Mountains. Sadly\, his mother became ill and died unexpectedly. Soon after\, in 1968 he joined the United States Marine Corps and was stationed at the El Toro UCMC Base in California\, where he trained soldiers drafted for the Vietnam War. \nIn 1970\, He travelled to Canada\, where he met Ann Nadine Krajeck\, a young photographer. They were married and settled in Richer\, Manitoba\, eventually purchasing a 20-acre farm in Giroux\, Manitoba. In February 1975\, Sanchez returned to the United States under President Gerald Ford’s amnesty program. Ann stayed in Canada\, and Joseph traveled back and forth until she joined him in Arizona in 1978. \nIn 1981\, Joseph and Ann had a daughter\, Rosa Nadine Xochimilco\, and they lived in Scottsdale\, Arizona\, where Joseph maintained a studio on Cattletrack Road. During the 1980s\, Sánchez developed a program as an artist in residence at Rosa’s schools\, teaching college level art history and technique to elementary school students. More than half of those students have gone on to become professional artists. \nSánchez travelled for his work\, and in 1990 began traveling to Santa Fe\, New Mexico where he met Margaret Burke. In 1996 he made his Santa Fe residence permanent\, and they had a son\, Jerome Bonafacio Xocotl. Joseph and Margaret were married in 2006.
URL:https://poehcenter.org/event/douglas-miles-preview-artist-panel/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Indian Market 2017,Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2017/07/DOUGLAS.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170810T180000
DTEND;TZID=America/Denver:20170810T193000
DTSTAMP:20260410T135713
CREATED:20170726T225856Z
LAST-MODIFIED:20170726T230518Z
UID:3666-1502388000-1502393400@poehcenter.org
SUMMARY:Pueblo Revolt Lecture: Joseph R. Aguilar
DESCRIPTION:The Poeh hosts\, “Understanding the Pueblo Revolt & Spanish Reconquest through the Lens of Indigenous Archaeology\,” a talk by Joseph R. Aguilar (San Ildefonso Pueblo – Ph.D. Canidate\, Department of Anthropology\, University of Pennsylvania). \nThe Pueblo Revolt and Spanish Reconquest were critical moments in Pueblo history that defined the state of Pueblo communities into contemporary times. In the aftermath of the Spanish Reconquest\, Pueblo communities settled in the locations that we know today\, and a new era of pueblo history was brought forth. Recently\, archaeologists and pueblo communities have partnered on projects that investigate the nature of Revolt Era sites on pueblo lands and\, have offered new perspectives and interpretations on this critical juncture of history. Advances in archaeological methods and the rise of Indigenous Archaeology have helped lead the growing trend toward an archaeology that incorporates indigenous values and points of view. This presentation will present some of the findings and innovative methods used in Pueblo Revolt Archaeology\, and how this research is leading to new conversations and understandings about the Pueblo Revolt. \n\nAbout the Speaker \nJoseph Aguilar is an enrolled member of San Ildefonso Pueblo\, and is a Ph.D. candidate in the Department of Anthropology at the University of Pennsylvania. His primary research focuses on the archaeology of the North American Southwest\, with a specific interest in Spanish-Pueblo relations during the late 17th century. His general research interests include Indigenous Archaeology\, landscape archaeology\, and tribal historic preservation. A collaborative research project with San Ildefonso\, his dissertation research examines Tewa resistance to the Spanish Reconquest efforts in the latter part of the Pueblo Revolt Era (1680-1696) as evident in the archaeological\, historical and\, oral records.
URL:https://poehcenter.org/event/pueblo-revolt-lecture-joseph-r-aguilar/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2017/07/20280633_1565469956838345_5886585626047729069_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170617T080000
DTEND;TZID=America/Denver:20170617T160000
DTSTAMP:20260410T135713
CREATED:20170419T203046Z
LAST-MODIFIED:20170419T205548Z
UID:3034-1497686400-1497715200@poehcenter.org
SUMMARY:Poeh Summer Arts Market
DESCRIPTION: You are invited to the Poeh Summer Arts Market\n\n\n\nSaturday\, June 17\, 2017\n\n\n\n\nYou are invited to the Poeh Cultural Center’s inaugural Summer Arts Market\, Saturday\, June 17\, 2017. Spend the day talking to artists and shopping for original jewelry\, pottery\, textiles and other arts by Native American artists from across the Southwest. Native food vendors will be onsite to satisfy your appetite for regional cuisine. \nHere\, at the Poeh\, old rhythms of life and ways of making beauty continue. People bringing beauty to the world on a pathway of being\, doing and sharing called the Poeh. \n\n\n\n\n\n\n \n\n\nVendors\, please contact Lynda Romero at 505-455-5047 or email he at lromero@pojoaque.org\n\n-Booth Fee is $75 and additional persons is $25\n\n\n-Food booth are $200 \nApplication Deadline & Full Payment: June 2th by 5 pm.\n \n\n  \n\n 
URL:https://poehcenter.org/event/poeh-summer-arts-market/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/png:https://poehcenter.org/wp-content/uploads/2017/04/WEB-SummerArtsMarket.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170415T100000
DTEND;TZID=America/Denver:20170415T150000
DTSTAMP:20260410T135713
CREATED:20170321T213750Z
LAST-MODIFIED:20170413T235244Z
UID:3023-1492250400-1492268400@poehcenter.org
SUMMARY:Children's Day at the Poeh!
DESCRIPTION:EASTER EGG HUNT at the POEH!\nFamily fun activities and Lunch provided! \n10:00-12:00: Mask Making/Basket Making/Cookie Decorating\n12:00-1:00: Lunch\n1:00-2:00: Egg Toss/Egg Race\n2:00-3:00: Easter Egg Hunt \nAll community members are welcome and we hope to see you all here! Don’t miss your opportunity to take a photo with the Easter Bunny!
URL:https://poehcenter.org/event/childrens-day-at-the-poeh/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/png:https://poehcenter.org/wp-content/uploads/2017/03/EasterChildrenDay_Flyer1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170224T170000
DTEND;TZID=America/Denver:20170224T200000
DTSTAMP:20260410T135713
CREATED:20170127T004045Z
LAST-MODIFIED:20170208T155805Z
UID:2967-1487955600-1487966400@poehcenter.org
SUMMARY:Water Is Life Push Pin Show
DESCRIPTION:CALL FOR COMMUNITY ART! \n“Water is Life Push Pin Show” \n\n\n\nThis exhibition marks the very first “Push Pin Show\,” for the Poeh Cultural Center in honor of ongoing efforts of fellow water protectors at Standing Rock Sioux tribe encampments in Cannonball\, North Dakota with participating artists of all medians expressing their creativity of their interpretations of water is life through two dimensional art. Organized by the Poeh Cultural Center Staff\, the exhibit will feature works created within the criteria’s of a pushpin hung art in order to establish an appealing montage of art defining “water is life” and to bring awareness of the continuous battle against the Dakota Access Pipeline. The exhibit will also reflect the Pueblo of Pojoaque’s strong support for the Standing Rock Sioux Tribe’s opposition to the DAPL\, the Pueblo is committed to ensuring access to clean water and air\, protecting land\, scared sites and burial grounds according to the Pueblo of Pojoaque Tribal Council Resolution 2016-183 passed in September of 2016. \nA free-to-attend public opening reception will begin Friday\, February 24th from 5pm to 8pm\, and the public is invited to attend a story-telling session from 7pm-8pm. The story-telling will feature fellow Tribal members from the Pueblo of Pojoaque sharing traditional stories of the significances of water. \nFor additional information about the work of the Poeh Cultural Center and/or the Water is Life exhibit show requirements can be found online at www.poehcenter.org or on Facebook. \n\n\n\nBelow is more information for the “Water is Life pushpin Exhibition” \n1. What are the media for this pin up show?\n-All Two-dimensional works are eligible. This includes: paintings\, prints\, drawings\, photography and/or two dimensional handing sculptures.\n-Three-dimensional works are not eligible nor be accepted. \n\n2. What is it about?\n-The exhibit will feature works created within the criteria’s of a pushpin hung art in order to establish an appealing montage of art defining “water is life” and to bring awareness of the continuous battle against the Dakota Access Pipeline. The exhibit will also reflect the Pueblo of Pojoaque’s strong support for the Standing Rock Sioux Tribe’s opposition to the DAPL\, the Pueblo is committed to ensuring access to clean water and air\, protecting land\, sacred sites and burial grounds according to the Pueblo of Pojoaque Tribal Council Resolution 2016-183 passed in September of 2016. \n3. When is it and what is a pin up show?\n-The push pin show begins Friday\, February 24th at 5pm till 8pm. Artists will have the opportunity to come between the hours of 5pm to 8pm to hang their own work during the exhibit opening. \n-A “Push Pin” show is an exhibit open to all artists of all medians to participate in thinking creatively within the criteria’s of a pushpin hung art in order to create an appealing montage of art made by the community. \n4. Is it open to anyone?\n-Yes\, all ages are welcome \n5. When does the pin up end?\n-Date is to be determined however June 10th is the approx. date \n6. How much does it cost?\n-There is no registration form nor entry fee. However all donations will remain welcome. There will be no donation box for Standing rock but individuals are more than welcome to make their donations to Standing Rock on their main website.
URL:https://poehcenter.org/event/water-is-life-push-pin-show/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/png:https://poehcenter.org/wp-content/uploads/2017/01/FB-banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161114T180000
DTEND;TZID=America/Denver:20161116T203000
DTSTAMP:20260410T135713
CREATED:20161031T163240Z
LAST-MODIFIED:20161031T164652Z
UID:2758-1479146400-1479328200@poehcenter.org
SUMMARY:Native Artist Business Workshop II
DESCRIPTION:This workshop is designed to assist Native Artists in traditional and new business methods with specific examples and ways to market themselves. Learn the basics to marketing strategies and financial planning. Attendees can sign up for either or both workshops. \n \nIf you’re interested in signing up please contact Lynda Romero at 505.455.5047 or via email: lromero@pojoaque.org \nGuest Instructor: Nocona Burgess\nNOCONA BURGESS – “I am Comanche from Lawton Oklahoma. I am the great-great grandson of Chief Quanah Parker\, on my mother LaNora Parker Burgess’ side of the family. My father\, Ronald Burgess\, is also former chief of the Comanche tribe. I have one younger brother\, Quanah Parker Burgess\, who is also an artist. \nThroughout my life I have traveled around the country with my family. I have lived in Harrisburg\, Pennsylvania; Poplar\, Montana; Phoenix\, Arizona; and Santa Fe\, New Mexico. We traveled a lot while my parents were working on their degrees. Many opportunities allowed us to see and experience much of the country and all the different kinds of people. That is what my parents wanted to give to my brother and me to expand our thinking. \nI have always been around art. My dad went to school for art and education and has always painted and drawn. My maternal grandfather\, Simmons Parker\, was an artist\, as was my maternal grandmother\, Ina Parker\, a quilt maker of her own designs. My great-grandmother\, Daisy Tachaco\, who raised my father\, was an accomplished bead worker despite being blind. With all this art and all these artists around me\, I had no choice but to pursue art. It was in my blood. \nIn 1989\, after a year at the University of Oklahoma\, I decided to move to New Mexico\, where I stumbled upon the Institute of American Indian Arts (IAIA) in Santa Fe. I could draw and had painted a bit. I was pretty good and\, because of my family\, more advanced than most in my classes. At IAIA my art really took off. I had a good time and learned a lot about Native art and how the traditional forms had evolved into more contemporary styles. This is what really grabbed my attention. I had already known quite a bit about traditional style. I grew up knowing people like Doc Tate Nevaquaya\, Rance Hood\, Allen Houser\, and reading about Oklahoma artists like Woody Crumbo and Kiowa 5. I liked the idea of modern Indians; after all that’s who I am. I loved the old style\, but it seemed so distant to me. To this day I enjoy painting old portraits and traditional subjects\, but in my own style. In a way\, when I paint them the subjects speak to me and I get to know them. After looking at them over and over for hours\, how can I not receive something from them? My painting is a way of saying thank you to them for all of their sacrifices. \nIn 1991\, I graduated from IAIA with an Associate in Fine Arts degree. I then went on to the University of New Mexico. I found myself questioning whether art was the way to go. Could I make a living at it? I knew some people did\, but they always seemed the exception to the rule. I continued on with my degree with an emphasis in both studio art and native art history. \nI began work at a bingo hall\, soon to be a casino. This is when I started to drift away from art. I got promoted and made my way into management. It was pretty cool and the money was really nice; it felt good not to be a broke college student any more. From 1991 to 1996\, I worked in the casino. My work schedule left no time for school and definitely no time for art. I missed the art\, but soon learned to live without it. I was successful and making a good living. \nIn 1996\, I decided the casino was not for me and I left. I needed a new start so I moved back to Oklahoma. I got back in touch with my people and family. I needed to get back to my art. It was 1997\, and I hadn’t worked on any art for years. I enrolled at the University of Science and Arts of Oklahoma (USAO) to work on my B.F.A. There I started taking classes again and getting back into the flow. Art was back in my life. \nI met my wife\, Danielle\, at USAO. She is also an artist and is very supportive of my art. After graduation in 1999\, we were married and moved back to Santa Fe. I began painting and things started to work out. I started to get into shows and to sell my paintings again. My art opened doors. My first show was at Red Earth in Oklahoma City. In 2000\, my brother and I were asked to be in a show in Holland\, and from there the show traveled to Belgium and Germany. \nI know now that this is where I need to be in my life. I have come full circle and my passion for painting is alive in my soul again. I have started writing music and poetry too. In July 2001\, I put out a CD of my flute music.”
URL:https://poehcenter.org/event/native-artist-business-workshop-ii/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/10/37ff6327-ff75-4c8c-8a0f-e2895ae90e39.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161108T180000
DTEND;TZID=America/Denver:20161110T203000
DTSTAMP:20260410T135713
CREATED:20161031T162851Z
LAST-MODIFIED:20161031T164450Z
UID:2753-1478628000-1478809800@poehcenter.org
SUMMARY:Native Artist Business Workshop I
DESCRIPTION:This workshop is designed to assist Native Artists in traditional and new business methods with specific examples and ways to market themselves. Learn the basics to marketing strategies and financial planning. Attendees can sign up for either or both workshops. \n \nIf you’re interested in signing up please contact Lynda Romero at 505.455.5047 or via email: lromero@pojoaque.org \nGuest Instructor: Nocona Burgess\nNOCONA BURGESS – “I am Comanche from Lawton Oklahoma. I am the great-great grandson of Chief Quanah Parker\, on my mother LaNora Parker Burgess’ side of the family. My father\, Ronald Burgess\, is also former chief of the Comanche tribe. I have one younger brother\, Quanah Parker Burgess\, who is also an artist. \nThroughout my life I have traveled around the country with my family. I have lived in Harrisburg\, Pennsylvania; Poplar\, Montana; Phoenix\, Arizona; and Santa Fe\, New Mexico. We traveled a lot while my parents were working on their degrees. Many opportunities allowed us to see and experience much of the country and all the different kinds of people. That is what my parents wanted to give to my brother and me to expand our thinking. \nI have always been around art. My dad went to school for art and education and has always painted and drawn. My maternal grandfather\, Simmons Parker\, was an artist\, as was my maternal grandmother\, Ina Parker\, a quilt maker of her own designs. My great-grandmother\, Daisy Tachaco\, who raised my father\, was an accomplished bead worker despite being blind. With all this art and all these artists around me\, I had no choice but to pursue art. It was in my blood. \nIn 1989\, after a year at the University of Oklahoma\, I decided to move to New Mexico\, where I stumbled upon the Institute of American Indian Arts (IAIA) in Santa Fe. I could draw and had painted a bit. I was pretty good and\, because of my family\, more advanced than most in my classes. At IAIA my art really took off. I had a good time and learned a lot about Native art and how the traditional forms had evolved into more contemporary styles. This is what really grabbed my attention. I had already known quite a bit about traditional style. I grew up knowing people like Doc Tate Nevaquaya\, Rance Hood\, Allen Houser\, and reading about Oklahoma artists like Woody Crumbo and Kiowa 5. I liked the idea of modern Indians; after all that’s who I am. I loved the old style\, but it seemed so distant to me. To this day I enjoy painting old portraits and traditional subjects\, but in my own style. In a way\, when I paint them the subjects speak to me and I get to know them. After looking at them over and over for hours\, how can I not receive something from them? My painting is a way of saying thank you to them for all of their sacrifices. \nIn 1991\, I graduated from IAIA with an Associate in Fine Arts degree. I then went on to the University of New Mexico. I found myself questioning whether art was the way to go. Could I make a living at it? I knew some people did\, but they always seemed the exception to the rule. I continued on with my degree with an emphasis in both studio art and native art history. \nI began work at a bingo hall\, soon to be a casino. This is when I started to drift away from art. I got promoted and made my way into management. It was pretty cool and the money was really nice; it felt good not to be a broke college student any more. From 1991 to 1996\, I worked in the casino. My work schedule left no time for school and definitely no time for art. I missed the art\, but soon learned to live without it. I was successful and making a good living. \nIn 1996\, I decided the casino was not for me and I left. I needed a new start so I moved back to Oklahoma. I got back in touch with my people and family. I needed to get back to my art. It was 1997\, and I hadn’t worked on any art for years. I enrolled at the University of Science and Arts of Oklahoma (USAO) to work on my B.F.A. There I started taking classes again and getting back into the flow. Art was back in my life. \nI met my wife\, Danielle\, at USAO. She is also an artist and is very supportive of my art. After graduation in 1999\, we were married and moved back to Santa Fe. I began painting and things started to work out. I started to get into shows and to sell my paintings again. My art opened doors. My first show was at Red Earth in Oklahoma City. In 2000\, my brother and I were asked to be in a show in Holland\, and from there the show traveled to Belgium and Germany. \nI know now that this is where I need to be in my life. I have come full circle and my passion for painting is alive in my soul again. I have started writing music and poetry too. In July 2001\, I put out a CD of my flute music.”
URL:https://poehcenter.org/event/native-artist-business-workshop-i/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/10/37ff6327-ff75-4c8c-8a0f-e2895ae90e39.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161022T093000
DTEND;TZID=America/Denver:20161022T160000
DTSTAMP:20260410T135713
CREATED:20161021T023251Z
LAST-MODIFIED:20161021T023251Z
UID:2695-1477128600-1477152000@poehcenter.org
SUMMARY:IN T‘OWA VI SAE’WE: Potters Gathering
DESCRIPTION:IN T‘OWA VI SAE’WE: The People’s Pottery \n\n\n\nThe Poeh Cultural Center will hold a special museum exhibit to welcome home historic Tewa Pueblo pottery on October 21st\, followed by a gathering of Pueblo potters on October 22nd. \nThe People’s Pottery Exhibit\, or IN T’OWA VI SAE’WE in the traditional Tewa Pueblo language\, will take place at the Poeh Cultural Center\, 15 miles north of Santa Fe\, New Mexico. \nOrganized by the Poeh Cultural Center staff and Tewa Pueblo community members\, the exhibit will celebrate the homecoming of nine impressive pots from the Smithsonian Institute’s National Museum of the American Indian collection in Washington DC. The exhibit forms part of a larger project working to restore Tewa Pueblo cultural history from collections around the country. \nOrganizers are keen to invite the public along to welcome home the historic pottery\, some of which has been gone for over a century. \nA free-to-attend public opening reception will start proceedings on Friday\, October 21\, and the public are invited to RSVP to a Pueblo buffalo dinner from 6-8pm. The night of celebration will include traditional Pueblo dances from the local Tewa Pueblos as well as a limited edition art showcase\, created to benefit the exhibition. \nThe evening dinner will cost $20 per person\, and those interested in attending should call 505.455.5041 or email info@poehcenter.org to RSVP. \nAs part of the exhibit’s launch\, Saturday\, October 22 will see a gathering of traditional Pueblo potters\, with a host of panel and group discussions investigating the state of Pueblo pottery and contemporary issues facing tradition art today. Festivities will take place from 9.30am-4.00pm and while admission is free\, donations are welcomed to further help the hard work of the project. \nMore information about the work of the Poeh Cultural Center and the IN T’OWA VI SAE’WE exhibit\, can be found on the website www.poehcenter.org or on Facebook /poehculturalcenter. \n\n\n\nFriday\, October 21\n2:00pm – 6:00pm – Public Exhibit Opening\nFree Admission. Refreshments Served. \n6:00pm – 8:00pm – Celebration Evening\n$20 Admission. Food & Drink. Silent Auction. Traditional Dances. \nSaturday\, October 22\n9:30am – 4:00pm – Pueblo Potters Gathering\n9:30-Noon: Potters Only\nLunch-4:00pm: Public Welcome\nFree Admission. Refreshments Served. Traditional Dances.
URL:https://poehcenter.org/event/in-towa-vi-saewe-potters-gathering/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/08/The-Peoples-Pottery-Invitations.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161021T180000
DTEND;TZID=America/Denver:20161021T210000
DTSTAMP:20260410T135713
CREATED:20161021T022816Z
LAST-MODIFIED:20161021T022816Z
UID:2693-1477072800-1477083600@poehcenter.org
SUMMARY:IN T‘OWA VI SAE’WE: Evening Celebration
DESCRIPTION:IN T‘OWA VI SAE’WE: The People’s Pottery \n\n\n\nThe Poeh Cultural Center will hold a special museum exhibit to welcome home historic Tewa Pueblo pottery on October 21st\, followed by a gathering of Pueblo potters on October 22nd. \nThe People’s Pottery Exhibit\, or IN T’OWA VI SAE’WE in the traditional Tewa Pueblo language\, will take place at the Poeh Cultural Center\, 15 miles north of Santa Fe\, New Mexico. \nOrganized by the Poeh Cultural Center staff and Tewa Pueblo community members\, the exhibit will celebrate the homecoming of nine impressive pots from the Smithsonian Institute’s National Museum of the American Indian collection in Washington DC. The exhibit forms part of a larger project working to restore Tewa Pueblo cultural history from collections around the country. \nOrganizers are keen to invite the public along to welcome home the historic pottery\, some of which has been gone for over a century. \nA free-to-attend public opening reception will start proceedings on Friday\, October 21\, and the public are invited to RSVP to a Pueblo buffalo dinner from 6-8pm. The night of celebration will include traditional Pueblo dances from the local Tewa Pueblos as well as a limited edition art showcase\, created to benefit the exhibition. \nThe evening dinner will cost $20 per person\, and those interested in attending should call 505.455.5041 or email info@poehcenter.org to RSVP. \nAs part of the exhibit’s launch\, Saturday\, October 22 will see a gathering of traditional Pueblo potters\, with a host of panel and group discussions investigating the state of Pueblo pottery and contemporary issues facing tradition art today. Festivities will take place from 9.30am-4.00pm and while admission is free\, donations are welcomed to further help the hard work of the project. \nMore information about the work of the Poeh Cultural Center and the IN T’OWA VI SAE’WE exhibit\, can be found on the website www.poehcenter.org or on Facebook /poehculturalcenter. \n\n\n\nFriday\, October 21\n2:00pm – 6:00pm – Public Exhibit Opening\nFree Admission. Refreshments Served. \n6:00pm – 8:00pm – Celebration Evening\n$20 Admission. Food & Drink. Silent Auction. Traditional Dances. \nSaturday\, October 22\n9:30am – 4:00pm – Pueblo Potters Gathering\n9:30-Noon: Potters Only\nLunch-4:00pm: Public Welcome\nFree Admission. Refreshments Served. Traditional Dances.
URL:https://poehcenter.org/event/in-towa-vi-saewe-evening-celebration/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/08/The-Peoples-Pottery-Invitations.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20161021T140000
DTEND;TZID=America/Denver:20161021T180000
DTSTAMP:20260410T135713
CREATED:20160825T031006Z
LAST-MODIFIED:20161021T022606Z
UID:2494-1477058400-1477072800@poehcenter.org
SUMMARY:IN T‘OWA VI SAE’WE: Exhibit Opening
DESCRIPTION:IN T‘OWA VI SAE’WE: The People’s Pottery \n\n\n\nThe Poeh Cultural Center will hold a special museum exhibit to welcome home historic Tewa Pueblo pottery on October 21st\, followed by a gathering of Pueblo potters on October 22nd. \nThe People’s Pottery Exhibit\, or IN T’OWA VI SAE’WE in the traditional Tewa Pueblo language\, will take place at the Poeh Cultural Center\, 15 miles north of Santa Fe\, New Mexico. \nOrganized by the Poeh Cultural Center staff and Tewa Pueblo community members\, the exhibit will celebrate the homecoming of nine impressive pots from the Smithsonian Institute’s National Museum of the American Indian collection in Washington DC. The exhibit forms part of a larger project working to restore Tewa Pueblo cultural history from collections around the country. \nOrganizers are keen to invite the public along to welcome home the historic pottery\, some of which has been gone for over a century. \nA free-to-attend public opening reception will start proceedings on Friday\, October 21\, and the public are invited to RSVP to a Pueblo buffalo dinner from 6-8pm. The night of celebration will include traditional Pueblo dances from the local Tewa Pueblos as well as a limited edition art showcase\, created to benefit the exhibition. \nThe evening dinner will cost $20 per person\, and those interested in attending should call 505.455.5041 or email info@poehcenter.org to RSVP. \nAs part of the exhibit’s launch\, Saturday\, October 22 will see a gathering of traditional Pueblo potters\, with a host of panel and group discussions investigating the state of Pueblo pottery and contemporary issues facing tradition art today. Festivities will take place from 9.30am-4.00pm and while admission is free\, donations are welcomed to further help the hard work of the project. \nMore information about the work of the Poeh Cultural Center and the IN T’OWA VI SAE’WE exhibit\, can be found on the website www.poehcenter.org or on Facebook /poehculturalcenter. \n\n\n\nFriday\, October 21\n2:00pm – 6:00pm – Public Exhibit Opening\nFree Admission. Refreshments Served. \n6:00pm – 8:00pm – Celebration Evening\n$20 Admission. Food & Drink. Silent Auction. Traditional Dances. \nSaturday\, October 22\n9:30am – 4:00pm – Pueblo Potters Gathering\n9:30-Noon: Potters Only\nLunch-4:00pm: Public Welcome\nFree Admission. Refreshments Served. Traditional Dances. \n 
URL:https://poehcenter.org/event/smithsonian-tewa-pottery/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
CATEGORIES:Poeh Event
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/08/Cover-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160906T090000
DTEND;TZID=America/Denver:20160906T090000
DTSTAMP:20260410T135713
CREATED:20160722T225135Z
LAST-MODIFIED:20160825T030844Z
UID:2413-1473152400-1473152400@poehcenter.org
SUMMARY:Arts Classes Begins
DESCRIPTION:POEH ARTS: Fall Semester \nTraditional & Cultural Art Classes \nPueblo Pottery | Jewelry | Sculpture \nWood working | Moccasin Making \nSee >>> https://poehcenter.org/arts/classes/
URL:https://poehcenter.org/event/classes-begins/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/07/13923370_1200740269977984_1713259933732573355_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160820T220000
DTEND;TZID=America/Denver:20160821T040000
DTSTAMP:20260410T135713
CREATED:20160722T223401Z
LAST-MODIFIED:20160815T192747Z
UID:2412-1471730400-1471752000@poehcenter.org
SUMMARY:Cumulus
DESCRIPTION:Buffalo Thunder Resort & Casino and presents Cumulus\, the accumulation of dance\, art and fashion party on Saturday night of Sant Fe Indian Market. We party til 4am in the morning with featured native DJs spinning all night. \nFeaturing: DJ Element & DJ Abel\nHip Hop Artist: Nataanii Means\nHost: Bobby Wison\nPhotobooth: Larry Price Photographer\nNative Apparel Fashion Show: OXDX\, Doug Miles\, Ishkiin & Randy L. Barton\nNative Artist Live Demos: Melissa Cody & Doug Miles\nNative Truck Show \nwww.BUFFALOTHUNDER.com | 21+ Event | $10
URL:https://poehcenter.org/event/cumulus/
LOCATION:Buffalo Thunder Resort\, 30 Buffalo Thunder Trail\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/07/Cumulus-2016-Flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160819T153000
DTEND;TZID=America/Denver:20160819T193000
DTSTAMP:20260410T135713
CREATED:20160722T221723Z
LAST-MODIFIED:20160815T180457Z
UID:2411-1471620600-1471635000@poehcenter.org
SUMMARY:Youth Art Workshops
DESCRIPTION:  \nPoeh will be having youth art workshops during the week of Indian Market week. Save the date with us! Schedule below: \nScreen Printing| Stencil Art | Hoop Dancing | Aerosol Art \n\n3:30 -Screen Printing with David Sloan\n4:30 -Stencil Art with Douglas Miles\n5:30 -Aerosol Art with Dwayne Manuel & Breeze\n6:30 -Hoop Dancing with Yellow Bird Dancers
URL:https://poehcenter.org/event/youth-workshops/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/07/IM-Poeh-Friday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160818T160000
DTEND;TZID=America/Denver:20160818T190000
DTSTAMP:20260410T135713
CREATED:20160722T221333Z
LAST-MODIFIED:20160815T180235Z
UID:2410-1471536000-1471546800@poehcenter.org
SUMMARY:Coming Home Exhibition
DESCRIPTION:Museum Exhibition Opening Reception: 8/18/16 from 4-7pm\nTraditional Dances\, Pottery Demos & Free Food \nWe welcome the public to join us in celebrating the begining of the Coming Home Project which aims to provide access and study to historic cultural collections of Tewa people. For over a century many cultural items have been collected and dispersed away from their communities – the Poeh Cultural Center works to regather these items and bring them home through exhibitions and long-term relationships. The “Coming Home Project” exhibition will display the history of Tewa Pueblo arts collecting\, where they have gone and how it has evolved. \n(Upcoming)\nChapter I of this project an ongoing partnership with the Smithsonian Institute’s National Museum of the American Indian. Slated for arrival in October 2016\, nine (9) historic Tewa pots will be installed for long-term loan to the Poeh Cultural Center. The nine pots will be joined by an addition 91 pots\, at a future date\, to compete the exhibit of 100 historic Tewa pottery.
URL:https://poehcenter.org/event/coming-home-project/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/07/IM-Poeh-Thurs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160415T160000
DTEND;TZID=America/Denver:20160415T190000
DTSTAMP:20260410T135713
CREATED:20160205T235152Z
LAST-MODIFIED:20160426T224753Z
UID:2206-1460736000-1460746800@poehcenter.org
SUMMARY:Pueblo of Pojoaque Past Governors & Ashley Browning  Perspective/Perception
DESCRIPTION:  \nPueblo of Pojoaque Past Governors & Ashley Browning Perspective/Perception \n 
URL:https://poehcenter.org/event/pueblo-of-pojoaque-past-governors-ashley-browning-perspective-perception/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160319T100000
DTEND;TZID=America/Denver:20160319T140000
DTSTAMP:20260410T135713
CREATED:20160229T172831Z
LAST-MODIFIED:20160304T165207Z
UID:2234-1458381600-1458396000@poehcenter.org
SUMMARY:Community Workshops:
DESCRIPTION:Children’s Activity Day at the Poeh \n10 – 11 am            Easy Clay/Advanced Chalk Drawing \n11 am – 12 pm     Advanced Clay/Easy Chalk Drawing \n12 pm – 1 pm       Lunch \n12:30 pm              Performance by the POP Hoop Dancers \n1 pm – 2 pm        Hoop Dance Workshop I & II
URL:https://poehcenter.org/event/community-workshops/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20160227T110000
DTEND;TZID=America/Denver:20160227T120000
DTSTAMP:20260410T135713
CREATED:20160205T225231Z
LAST-MODIFIED:20160218T232925Z
UID:2205-1456570800-1456574400@poehcenter.org
SUMMARY:CREATIVE CONVOS
DESCRIPTION:CREATIVE CONVOS \nFeaturing: IRA LUJAN & ROBERT “SPOONER” MARCUS \nSATURDAY\, FEBRUARY 27TH
URL:https://poehcenter.org/event/creative-convos/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2016/02/DSC_0217b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151219T100000
DTEND;TZID=America/Denver:20151219T160000
DTSTAMP:20260410T135713
CREATED:20151107T215655Z
LAST-MODIFIED:20151107T215809Z
UID:1930-1450519200-1450540800@poehcenter.org
SUMMARY:Holiday Market
DESCRIPTION:  \nCome out and enjoy Native arts\, dances and food here at the Poeh Cultural Center & Museum. Stop by with the family and tour the arts studios and museum exhibitions. Our market will feature local artisans with various holiday gifts for sale. For more information please call the Museum at (505) 455-5041
URL:https://poehcenter.org/event/holiday-market/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151204T160000
DTEND;TZID=America/Denver:20151204T190000
DTSTAMP:20260410T135713
CREATED:20151130T041727Z
LAST-MODIFIED:20151130T041727Z
UID:1967-1449244800-1449255600@poehcenter.org
SUMMARY:Poeh Winter Exhibition Opening
DESCRIPTION:“Poeh Arts Student/Faculty Show” featuring Jewelry\, Pottery\, Stone Sculpting and Woodworking artworks & “Buffalo Thunder Art Collection Recent Works” featuring unseen aquisitions from Buffalo Thunder Resort. Both shows can be seen at the Poeh Cultural Center & Museum. Opening Reception starts at 4pm with free Native foods and dances.
URL:https://poehcenter.org/event/poeh-winter-exhibition-opening/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2015/11/facebook_event_1077427962276010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151120T130000
DTEND;TZID=America/Denver:20151120T160000
DTSTAMP:20260410T135713
CREATED:20151117T041745Z
LAST-MODIFIED:20151117T041745Z
UID:1961-1448024400-1448035200@poehcenter.org
SUMMARY:Poeh Arts Studio Open House
DESCRIPTION:OPEN TO THE PUBLIC\nMeet & Greet with Instructors and Students\nStudent Art Sale\nLive Demonstrations
URL:https://poehcenter.org/event/poeh-arts-studio-open-house/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2015/11/facebook_event_1030217667028377.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20151120T010000
DTEND;TZID=America/Denver:20151120T160000
DTSTAMP:20260410T135713
CREATED:20151101T164421Z
LAST-MODIFIED:20151101T165127Z
UID:1899-1447981200-1448035200@poehcenter.org
SUMMARY:Art Studios Open House
DESCRIPTION:Come on by to the Poeh Arts Studios and see what we are up to. Our classes include traditional Pueblo pottery\, woodworking\, stone sculpting\, and jewelry making. Students are available to showcase their works. \n-Student art for sale \n-Demostrations
URL:https://poehcenter.org/event/arts-studio-open-house/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2015/11/12182500_1018735644845115_5327412844381142500_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20150820T170000
DTEND;TZID=America/Denver:20150820T170000
DTSTAMP:20260410T135713
CREATED:20150731T041912Z
LAST-MODIFIED:20150731T041912Z
UID:1882-1440090000-1440090000@poehcenter.org
SUMMARY:Paths of Beauty
DESCRIPTION:Bi’po-wa-ve… You are invited to a new exhibit opening at the Poeh Cultural Center and Museum this month\, “Paths of Beauty\,” features Pueblo embroidery—giving an exceptional interpretive glimpse of Pueblo cultural traditions. The exhibit honors the work of Shawn Tafoya (Santa Clara and Pojoaque Pueblos) and Isabel Gonzales (Jemez Pueblo). \nAttending an exhibit honors those who are accomplished and those who are learning\, to keep the pueblo traditions alive. Come celebrate the continuity of this nature-based art\, eat Pueblo food\, and celebrate with the Pueblo communities. Explore the meaningful contexts of embroidery and pottery and their ties to landscape and Pueblo lifeways through the work of two renowned Pueblo artists.  \nIsabel Gonzales lives in San Ildefonso Pueblo (through marriage) and receives orders from Pueblo members throughout the villages. Her designs of Jémez Pueblo emphasize red\, green and black associated with the seasons\, cardinal directions and cosmological meanings. \nShawn Tafoya has received several awards for his embroidery and is also a renowned potter. In Pueblo custom\, men often weave and embroider. Shawn creates ritual dance attire for his family and community members\, to include mantas\, dance kilts\, breechcloths and hand-woven sashes—worm by men and women for ceremonial purposes or rituals.
URL:https://poehcenter.org/event/paths-of-beauty-3/
LOCATION:Poeh Cultural Center\, 78 Cities of Gold Rd\, Santa Fe\, NM\, 87506\, United States
ATTACH;FMTTYPE=image/jpeg:https://poehcenter.org/wp-content/uploads/2015/07/facebook_event_1652641984963714.jpg
END:VEVENT
END:VCALENDAR