Artist in Residence at Buffalo Thunder

Artist in Residence at Buffalo Thunder is a special series of public artist demonstrations from a talented array of Native American artists. Each weekend the City of Santa Fe, Hilton Buffalo Thunder and the Poeh Cultural Center will feature a new artist to display and sell their works of art. Art will include traditional pottery, jewelry, fiber arts, and illustrations. In addition to the featured demonstrating artists, local artists will accompany the program. Friday nights at 6pm will have special performances by the Pueblo of Pojoaque Youth Hoop Dancers.

For more information please contact the Poeh Cultural Center at (505) 455-5041

Please refer below for Artist and Dates:

Daniel Jim Jewelry 11/2-11/4

Martha Romero Micaceious Pottery 11/9-11/11

Toni Olver Jewelry 11/16-11/18

Jacqueline Gala Jewelry 11/23-11/25

Golga Oscar Sewing 11/30-12/2

….

Virgil Vigil Mixed Media 12/14-12/16

Jerry Dunbar Pottery 12/21-12/23

Charles Quintana Jewelry 12/28-12/30

Melbourne Pesata Jr Jewelry 1/4-1/6

Michael Brancroft Moccasin Making 1/11-1/13

Janice Black Elk Jim Advanced Beading 1/18-1/20

Chad Browneagle Sketches 1/25-1/27

Betty Padilla Jewelry 2/1-2/3

Albert Alvertrez ………

Annette Montoya Micaceous Pottery 2/15-2/17

C. Renee Roybal ………

10th Annual Dia de Los Muertos Opening Reception

The 10th Annual Dia de Los Muertos exhibit will open October 26th at the Poeh Cultural Center.

The exhibit, which will feature the works of 21 established New Mexico Hispanic and Native American artists, as well the works of youth and emerging artists. Their work celebrates the rich artistic and spiritual traditions as expressed in jewelry, painting, sculpture and photography.

 

Cara Romero, a photographer, described how the exhibit celebrates the intercultural connections of peoples in the Southwest. “Many of us (Natives from the Southwest) have grandparents that were listed as Mexican citizens. Many of our tribal languages from north and south of the border are the same,” Romero said. “The songs, the art, the dependence on the very same lands and waters.  Our parrot bundles come from there, our shells and the shared culture of Dia de los Muertos reminds us that we were once the same peoples.”

 

This year marks the 10th Annual occasion for the show. “The reason I started the show was to showcase some local young and upcoming artists mainly to give back and remember the ones we have lost in our families, and to bring back the festival into New Mexico culture.” said Toby Morfin, one of the organizers and artists featured in the exhibit.

 

The opening reception for the exhibit will be held October 26th, from 5:00pm to 8:00pm at the Poeh Cultural Center in Pojoaque.

Featured Artists:
Jason Borrego
Vince Campos
Dio Dominguez
Matthew Duran
Joshua I. Gallegos
Elizabeth Talavera
Rachael Montoya
Joseph A. Lopez
Sophia E. Rodriquez
Gabriel Edwards
Andrew Montoya
Cody Sanderson
Michael E. Martinez
Janet M. Rodriquez
Toby Morfin
Gene Ortega
Gabriel Duran
Cara Romero
Miranda Lopez
Jim Vogel
Albert Zalma
Sage Vogel
Robb Rael
Cruz Lopez
Kaitlyn Ortiz
Leroy Garcia
Sean Wells
Shane Casias
Isaac C. Ortiz
Mateo Romero

A Culture of Healing

Come Celebrate A Culture of Healing. We’re inviting the community to this FREE family event, where there will be fancy cars, your local bands, a bounce house for the children, along with face painting, a climbing wall. While you enjoy this culture, we’ll have contests, and hopefully you can walk away with a piece of art from your local artists, if not at least you’ll enjoy the dance groups! We also encourage to participate in the workshops given by the Recovery Community of New Mexico

Global Running & Arts Festival

The Festival at the Poeh Cultural Center in Pojoaque Pueblo will provide an opportunity to pick up your race packets and to check out art created by more than 30 indigenous artists. Without Reservations cartoonist Ricardo Cate’ will participate along with a group of Tarahumara artisans from Copper Canyon, Mexico will have traditional arts and crafts including their famous tire sole running huaraches. Original running-themed art will also be featured at the Festival!

Soular Power & Dancing Colors Exhibit

POEH CULTURAL CENTER

OPEN NOW until Oct 2nd!

 

Dancing Colors: Contemporary Pueblo Embroidered Regalia

This exhibit features the work of Poeh Cultural Center art students who have been working with Shawn Tafoya from Santa Clara to create embroidered kilts, sashes and other traditional Pueblo dance regalia.

 

Soular Powered: Facebook Swarm Photography Exhibit and Contest

This exhibit features the photos of stunning New Mexico sunsets submitted to the Poeh by our Facebook friends. Our panel of judges will determine the image that best represents the soul of our spectacular New Mexico sunsets.

Pojoaque Summer Feast Day

Pueblo of Pojoaque Summer Feast Day begins at
9am with Mass in the Chapel & dances will follow.

Public is welcome.

Please no photos or videos including cellphones.

Kunda

Poeh Summer Arts Market

You are invited to the Poeh Cultural Center’s inaugural Summer Arts Market. Spend the day talking to artists and shopping for original jewelry, pottery, textiles and other arts by Native artists from across the Southwest. Come eat at one of the local Native food vendors with fresh flavors and traditional recipes.

Main market page link here.

Family Easter Day

Welcome all! Meet the Easter Bunny!!!! Enjoy music, games, and activities. Free Admission!
Egg toss @ 10:00
Egg race @ 10:30
Meet the Easter Bunny @ 11:00
Egg hunt @ 11:30

The Pueblo Revolt of 1680: Causes, Revolts & Aftermath

Porter Swentzell will conduct a presentation on the Pueblo Revolt of 1680 here at the Poeh Cultural Center. Event is free of charge and open to the public.

The lecture will follow the 2018 Spring Exhibit Opening and Fashion Showcase with featured artists Claver Garcia  of Ohkay Owingeh and David Naranjo of Santa Clara Pueblo.

Porter Swentzell is from Santa Clara Pueblo, where he grew up participating in traditional life in his community and developed an interest in language and cultural preservation. He is an Assistant Professor of Indigenous Liberal Studies at the Institute of American Indian Arts in Santa Fe. Porter holds a Master of Arts in Interdisciplinary Studies with Concentrations in History and Political Science from Western New Mexico University in Silver City and a BA in Integrated Studies with an Emphasis in Pueblo Indian Studies from Northern New Mexico College in Española. He is currently a PhD student at Arizona State University in the School of Social Transformation. Porter lives at Santa Clara Pueblo with his partner and three children.

Spring Exhibit 2018

Claver Garcia & David Naranjo

We welcome you to join us for the Opening Reception with our featured artists David Naranjo (Santa Clara Pueblo) and Claver Garcia (Ohkay Owingeh)

Reception begins at 5pm and will include Fashion Showcase by David Naranjo. A lecture on the Pueblo Revolt of 1680 will follow by Institute of American Indian Arts Faculty Porter Swentzell (Santa Clara Pueblo) at 6pm.

For more info please call (505) 455-5041

Remember the Revolt to Create a Revolution

Curatorial Statement

Revolution is as much action as it is prophesy, and those motivated to act often do so with the hope of producing enduring positive change. While remembrances of revolution, such as the 1680 Pueblo Revolt are important as centennial commemorations, the works of Claver Garcia (OK) and David Naranjo (Santa Clara) reveal through different media and process, the spirit of revolution made personal in every day life.

Claver’s paintings remind us of the importance of retelling the story of the Revolt any time of year. Whether it be the faceless runners in Po Pay Day, into which any face can be superimposed, to the rear of Tesuque Runners Warn Their Village, the urgency of memory is apparent. His paintings, as well as the chromatic patterns rendered on magnets, remind us of the challenges contemporary Pueblo people face to retain identity in the midst of drastic cultural adaptation and change. The urgency of memory cannot be diminished, even in the ashes of razed villages and churches, so that people can continue to ask themselves, “What have we learned from this trauma, and how can we grow as we look to the future?”

David’s work stands at the fore of that future, as he utilizes contemporary digital technologies to render traditional Tewa designs in new media. His work shows us how “traditional” media changes as new materials are made available to each generation. They are interpretations of patterns that have been created and rendered with digital plotters and printers that have revolutionized the creative process and products of culture-based thought. His work stands like a young moccasin-clad man straddling the divide between analog and digital. We must remember that tradition is as much, and maybe even moreso a behavior as it is media, and that the tradition expressed in David’s work is that of adornment.

Stephen Fadden, 2018

 

David Naranjo

David Naranjo is from the pueblos of Santa Clara, San Juan, Cochiti, and resides in Santa Fe, NM. He is working toward a Bachelor’s in Fine Arts at the Institute of American Indian Arts. Recently, Naranjo is working in multiple mediums to depict cultural symbolism through stylized Puebloan pottery designs and fine geometrical linear work. Currently, His work merges contemporary Puebloan traditions with non-traditional materials and elements to create meaning and purpose in each composition.

My inspiration for my work comes from the beauty I experience from my community of KhaPo Ohwingeh. My work integrates modern forms and concepts combined with traditional Puebloan aesthetics to create contemporary Puebloan art. I want to depict, reimagine, and re-contextualize such designs and iconography and apply them in a different format while being respectful and keeping the designs integrity intact. Puebloan pottery designs and geometrical linear work serve a purpose and have meaning within a cultural context which are inclusive of the natural world, change of seasons,  and emotional cognitive meaning.

I find our way of life to be a form of poetry and seek to show understanding and respect while making my art as a form of prayer. In my work, I try to apply that same level of intimacy, understanding, and respect in order to create the beauty that exudes from my community of Santa Clara Pueblo. I am using and incorporating traditional forms and techniques and various forms of technology as a way to create, adapt, and preserve our cultural traditions. Although my work isnt traditional art, they serve as examples to the ever changing, adaptation of modern culture and indigenous Puebloan traditions.

Claver Garcia

Claver Garcia was born in Santa Fe, New Mexico in 1992 and raised between Ohkay Owingeh and Tesuque Pueblo. His father the late Gordon Garcia and mother Angela Vigil helped support and inspire Garcia to pursue his Artistic career. Claver Garcia is the second oldest of four children and the only male. Art influences include 90s cartoons/animations, traditional/contemporary Native American paintings and designs.  He currently resides in Santa Fe, New Mexico where he is attending the Institute of American Indian Arts.  Working on a BFA in Studio Arts with a minor in creative writing, Garcia focuses on painting, ceramic and sculpting.